Why did I spend so much time doing this?

I’ve just finished my 7th (and final, at least for now) essay about America. I’m not a writer so it did take me awhile. And the stories aren’t as good as if an actual writer did the same project. But I still think they matter. Why? Short answer: because they’re timely, personal, and as political pieces they were written by someone who doesn’t (really) work in politics.

So here are my notes. Why I spent so much time working on these stories. And full discloser, I did enjoy all the reworking, restructuring, and refining. As a person who spends most of his days concerned with images it was nice to be so concerned with the words. 

And why so concerned with America? Well, because:

  • I think these times are extraordinary. Whether you whole-heartedly support what’s been happening to America in the last two years or you whole-heartedly don’t, I really wanted to go on the record in all this madness. While it was still happening. Without much distance for reflection. Instead, a gut level response to the events that will shape our lifetimes for decades to come.

  • I’ve always (and I mean always) been very concerned with what it means to be an American. From a very young age. My grandfather, like so many others, fought against fascism in WWII. When he was 22 he was fighting Nazis. When I was 22 I didn’t know what the hell I wanted to do with my life. He did something consequential, how was I going to do that? The fact that I live in America at this moment in time, seems to me, that I should do something that matters. Still working on what exactly that is.

  • I’m not professionally qualified to write on any of the topics covered aside from the finer point that I’m an American citizen and I think every American citizen should do the same thing I did. Meaning, don’t just root and cheer or bitch and moan in the privacy of your own head. Get your thoughts out there because the process of doing so is beneficial to both you and others.

  • Even though I’m professionally qualified to be a graphic designer, and after all these years that’s where I put on the most comfortable hat, I do technically work in politics. I’ve designed for activist campaigns, politicians, and other political efforts. The highlight? President Obama’s re-election campaign. But still, I speak the language of design, not politics. So when I have taken to long form writing, it’s typically been about design. And process. And projects. Things I am, in fact, an expert on. But I suppose I brush up close enough to the world of politics where I felt I needed to evolve a bit. And that I had something interesting to say.

  • I’m super liberal. I’m quite an informed citizen—NPR, the New York Times, all sorts of political podcast. I live in a very Republican red state. And I grew up in a super duper conservative small town where Democrats were referred to as baby-killers, terrorist-sympathizers, and anti-America. It was great. Mashing all that together for a series of stories about America, that should be interesting, yeah?

  • Just something to note. If you’re a conservative, don’t let your kids grow up listening to punk rock. There’s no telling what will happen.

  • Also, note. These stories were written for readers. My editor really pushed to also make them scannable with a good amount of subheads. In the end, I always agreed with her. I mean 16 minutes, whose gonna read something that long?

  • I wanted to work on my writing. This was as good an exercise as any. Hence, I worked with an editor and each story was fine-tuned so it was presented in the way I fully intended. Not just spouting off on Facebook here and there.

I think that’s it. If you’re interested, you can read all 7 stories on Medium.

So Choice

This year’s SHOW featured the best graphic design work in the state. Designers entered, they were judged by three tough critics, and if lucky, they won an award or two. JKDC won three this year. One being the highly-coveted Judge’s Choice, awarded by Lakota graphic designer and advocate Sadie Red Wing.

Many thanks to AIGA Nebraska for putting on another great event. They always do such a nice job.

See you next year!

Join AIGA Nebraska »

Right now America is a fucking joke

– My latest on Medium –

As Americans, we debate whether or not climate change is real, despite hard scientific evidence it is. We debate how hard we should make voting because of voter fraud, which is very much not a thing. We debate constantly the benefits of trickle-down economics, how having more guns makes us more safe, and maybe Nazis aren’t that bad. We’ve even found a way to debate whether or not debating civility is more important than separating kids from their parents.

Read on Medium »

The Passion Project

What am I passionate about exactly? According to my interview with three design students from Seattle, it goes like this:

He loves design as a tool for making things happen, especially for the things he believes in, which means supporting his community and actively engaging in aggressive politics. Even better is the fact he gets to go through it all with his lovely wife. 

Anthropocene

We have reached an unprecedented moment in planetary history. Humans now change the Earth’s systems more than all natural forces combined. This is the central argument of the proposed current geological epoch: the Anthropocene.

An exhibition now on view at the Art Gallery of Ontario by photographer Edward Burtynsky and filmmakers Jennifer Baichwal and Nicholas de Pencier. A spectacular set of photos and film focused on our human impact on the Earth.

It was a lot to take in. The images were quite beautiful while at the same time, the subject matter, whether the slums of Nigeria or the mining of American landscapes, was heartbreaking. It’s clear humans are impacting the Earth in a transformational way. The exhibition itself was more about presenting the facts rather than a point of view of what to do about those facts. That, of course, is up to all of us.

View Trailer »

View Project »

NO Death Penalty

Nebraska State Senator Ernie Chambers has been fighting to put an end to the death penalty in our state for 40 years. In 2015, our state lawmakers actually succeeded in repealing the death penalty. Then, our heartless governor overrode that ban and recently had someone executed. It’s a heartbreaking tale of money being more powerful than the will of the people. But, Senator Chambers won’t give up. We won’t give up.

To highlight this long fight to stop the death penalty, I’m offering this badass print of Ernie Chambers getting ready for action. All proceeds will be donated to Nebraskans for Alternatives to the Death Penalty.

We will not go quietly into the night! We must end this barbaric practice of state-sponsored murder! All power to the people!

NO DEATH PENALTY!

On Fahrenheits

I went to Fahrenheit 9/11 in the theater back in 2004. At that time, it felt like most people were in favor of that dumb War in Iraq and having a dissenting opinion on the matter wasn’t advised. So going to a theater full of people who were mad about the war and were proud to show it ended up being a powerful experience. If you had doubts about how many people were against the war, the theater experience helped provide a solid visual to all the dissenters out there. We weren’t alone, we were all pissed, and we were not going to be quiet about it.

Having just watched Fahrenheit 11/9 in the theater, there are some obvious differences between the two. And some similarities.

First, the differences. In 2004 Michael Moore told me more things that were new. Before the instant breaking news provided by iPhone alerts and Twitter feeds, or the in-depth coverage by Vice News and John Oliver, Michael Moore’s deep dive was key because it was fresh. And the political podcast wasn’t as prevalent. So where else would the alternative viewpoint be found? Also at that time, I wasn’t quite sure how to respond to the despair of war in the air. Going to the theater to see the film seemed just as constructive as anything else. There wasn’t a wave of new and exciting candidates at every level. Activism wasn’t everywhere. Knocking doors, signing postcards, calling voters, those things were there but didn’t seem to carry the importance they do today. Why go see a movie when you can go march with the candidate who is running on the issues you can fully support? 

And then the similarities. The tone, the delivery, the wit, and the seriousness of the issues we all face. In this case, it happens to be not only about Trump, but also an American Dream that is slipping through the grasp of more and more people. And the ideals of America, the freedom and justice for all viewpoint we’ve never really had, well we’re in danger of that never being full realized. We are moving into a corporate dystopia of dog-eat-dog capitalism that sells a livable future only to those who can afford it. Want to drink clean water? Want to be  safe from gun violence? Only if you can pay the premium price.  

I’ve always been a fan of Michael Moore. Especially Bowling for Columbine, Roger & Me, and Sicko, all of those are amazing documentaries worthy of being watched at least once. When people tell me they just don’t like that Michael Moore guy, I usually think they don’t like laughing at power. Because that’s what he does. He makes you laugh at the absurdity of power and once that happens, you can see the kinks in the armor. And then you can come up with a plan of attack you can use to take with you out into the world. That’s why he’s important. That’s why he matters. Go see his latest, and then go back through the catalog. It’s definitely worth your time.